Showing posts with label Essential.... Show all posts
Showing posts with label Essential.... Show all posts

Friday, October 29, 2010

Five Essential... Bruce Willis Films

Tom Jolliffe selects his Five Essential Bruce Willis films…

By the time the 80’s were in full swing, the muscle bound action hero era was at the forefront of blockbuster movies. Stallone was in his pomp, and so to was Arnold. The mono-syllabic tough guys with square jaws, rippling 12 packs and far more baby oil on their bods than is actually required, reigned supreme. Still, by the time the 80’s were heading to a close, it was clear there was room in the market for a few everyman tough guys to offer a slightly more relatable hero, a more sympathetic hero, and a more vulnerable hero.

As well as Mel Gibson, who became synonymous as the deranged Martin Riggs in Lethal Weapon, even more successful was Bruce Willis, who threw his hat into the action ring in 1988. However, though he’s fired many a gun and set off many an explosion, Bruce Willis has successfully ventured into many genres and taken some well calculated risks over the years with young up and coming film-makers. Turkey’s aside, Willis has a career that has largely entertained and offered diversity. Here is the essential Bruce Willis!

The Last Boy Scout5. The Last Boy Scout (1991, dir. Tony Scott)

A total guilty pleasure. Willis offers us a darker version of John McClane. As Hallenbeck he’s an outright bum, a shit, and a burnout who has to pull himself out of the gutter to solve his latest case, aided by comedy sidekick Damon Wayans. Last Boy Scout is pure excess. It’s one-liners aplenty, style over substance (thanks to Tony Scott’s visuals-first approach), and with some excellent action set pieces. Willis is superb and his deadpan delivery is hilarious. Willis and Wayans bounce off each other brilliantly, while Shane Black's script is stock full of brilliant black humour.





The Sixth Sense4. The Sixth Sense (1999, dir. M. Night Shyamalan)

Before M Night Shyamalan disappeared up his own backside, he introduced himself to the world with this brilliant film about a boy who sees dead people. It’s a film reliant so much on it’s young star, Haley Joel Osment, as well as Bruce Willis. The two hold the film magnificently. While the film may lose a little once the twist is revealed, it is still very well made, and impeccably acted. The only downside following its release was that it started a whole spate of “twist” films in the first years of the new millennium. M Night has also failed to come close to equaling this since, and his films of late have been woeful.




Twelve Monkeys3. Twelve Monkeys (1995, dir. Terry Gilliam)

A fantastic science fiction film from Terry Gilliam. This is the crazy Python stalwart at his best. The film is well designed and challenging, and Willis proved here that he’s a great actor, not just a movie star. Brad Pitt also shines in a role which earned him an Oscar nomination. The film looks great, opting for a bleak, cold and grimy view of the future. Gilliam’s attention to detail is put to good use to create one of the best sci-fi movies of the last two decades.






Pulp Fiction2. Pulp Fiction (1994, dir. Quentin Tarantino)

Following such a brilliant first film like Reservoir Dogs, Quentin Tarantino had an uphill task even coming close to repeating his success in his sophomore effort. However, with great aplomb, he manages to match it toe-to-toe. Many will in fact stand rigidly in the corner of Pulp Fiction as QT’s best work, though I’m still too much in love with Reservoir Dogs to ever switch corners. There are so many standout roles in this piece, and the award plaudits headed the way of Samuel L. Jackson, John Travolta and Uma Thurman. In any other film Willis’ performance could have earned him an Oscar nomination. He’s superb here, making full use of his screen time. The film is a work of genius, which as yet, Tarantino has not come even close to matching since.


Die Hard1. Die Hard (1988, dir. John McTiernan)

The career defining role of Bruce Willis. Die Hard is quite possibly the best action film ever made. It’s fantastic! Why? Well it’s got it all! It’s got awesome set pieces, the best action hero ever, the best bad guy ever, the best henchman ever, the best douche-bag reporter ever, the best incompetent chief ever, the best partner who protagonist never meets ever, the best slime ball with eyes on lead's wife ever, and the best FBI partnership ever! The humour is simple and brilliant. The film is consistently funny, with great gags, without even trying too hard. The film has a lot of great set ups and pay offs (the bare feet, the watch). But best of all is the pitting of the wise-cracking monkey in the wrench, Bruce Willis, against the sharp suited criminal mastermind, Alan Rickman. Die Hard is infinitely repeatable, with new brilliant subtleties to be unearthed with every re-watch. Action movie perfection.


Honourable Mentions...

The Fifth Element, Die Hard 2, Die Hard With A Vengeance, Die Hard 4.0, Sin City and Hudson Hawk (nah, just kidding!).

Agree? Disagree? We'd love to hear your comments...

Tom Jolliffe

Essentials Archive

Friday, October 15, 2010

Five Essential... Sylvester Stallone Films

Tom Jolliffe selects his Five Essential Sylvester Stallone films…

From the moment he brought us Rocky, through to giving us Rambo, until his most recent gift, The Expendables, Sly Stallone has been a hero to many a red blooded male. Be it the bygone days of childhood, sneaking Stallone viewings from the video collection of a friends older brother, or having yet another round with the likes of Carl Weathers, Mr. T and Dolph Lundgren in repeat Rocky saga viewings in your adult years, Sly has inspired so many underdogs to strive for their day, or limp-chested flab monsters to pick up a dumb-bell. The man is an icon, and one of the three kings of the action world. Part of the trifector that is the Planet Hollywood gang, of himself, Arnold Schwarzenegger and Bruce Willis. Sly commands respect from those around him and will always try to deliver what the fans want (even though he sometimes misfires badly… ahem… Rhinestone!). His latest triumph was in orchestrating perhaps the ultimate assembling of badassedness to ever grace the silver screen, with The Expendables featuring a who’s who of rugged blow ‘em up specialists. Only Sly could have made it possible. With this in mind, and in honour of the Italian Stallion, I bring you: the essential Sly Stallone!

Cliffhanger5. Cliffhanger (1993, dir. Renny Harlin)

Very tough to start. Lets be honest, Sly has had his share of turkeys, and given the man’s acting ability on top form, he’s not always pushed himself in his roles. The action genre has made him an icon, but by the same token moved him away from dramatic weight quite often. However, Sly throws himself into his action flicks with aplomb and Cliffhanger is no different. With a fantastic setting, a ridiculously hammy bad guy (John Lithgow) and some ridiculously hammy co-stars (Michael Rooker, Rex Linn), Cliffhanger delivers what action fans desire. There’s some brilliant mountain-set set pieces, and Stallone once again plays the underdog who defies the odds to win.



Rocky Balboa4. Rocky Balboa (2006, dir. Sylvester Stallone)

16 years after almost nuking the series into submission with Rocky V, Stallone finally got the chance to redeem himself and bring about a satisfying finale to the Rocky canon. This is a wonderful retreat of old territory that gets back to the personal roots of the first film. Though this film is a little sentimental and sloppy at times, it’s rides the nostalgia value well. Watching this on the big screen at the time gave me that tingle in the spine, hairs on neck standing up, rush that I’d not felt at the cinema since I was a kid. When the theme kicked in for the training montage, the butterflies kicked-in in my stomach. By the time the fight was in progress I was lost, gone, 10 years old again! Nostalgia aside, Sly knows well how to engage his audience, and he ticks all the boxes. What’s more Stallone himself delivers a wonderful, heartfelt performance. The film is almost a love letter from Sly, to his own creation, Rocky, but it works.

Copland3. Copland (1997, dir. James Mangold)

Pitting himself against the likes of De Niro and Harvey Keitel, Stallone put aside the normal routine of blowing shit up to do some serious acting. With a beer belly where his six pack used to be, Sly embodies the cumbersome, slightly slow witted Freddy Heflin brilliantly. Copland is kind of Scorsese-lite, but it’s a good film. The cast is huge, and aside from those mentioned, there is also Ray Liotta, Robert Patrick, Annabelle Sciorra and Cathy Moriaty. Despite ample competition, Sly holds the movie and delivers a great performance, reminding people at the time just why he was once nominated for an Oscar.




First Blood2. First Blood (1982, dir. Ted Kotcheff)

Before Rambo become an American icon, a caricature and Ronald Reagan’s adopted son, he was a burnt out, slightly unbalanced Vietnam vet, pushed too far by local sheriff Will Teasle (Brian Dennehy) in First Blood. This is far from the explosive insanity of the sequels, which are still delightfully loony, but it’s a grounded fugitive on the loose movie. Only this fugitive is not to be trifled with, especially hiding out in the wilderness, inviting the hunters into his territory. First Blood notches up the tension nicely and features some memorable set pieces, but it’s the character work that most interests. Stallone is excellent, portraying the tortured soul of Rambo well. Despite being a cornered beast, Rambo is still fragile here, and Stallone brings that out fantastically, especially during the famous breakdown scene at the films climax. Despite his excellent, it’s Brian Dennehy though who in fact steals the movie, while Richard Crenna chews scenery nicely.

Rocky1. Rocky (1976, dir. John G. Avildsen)

Well, it had to be didn’t it? A classic. One of the ultimate underdog films. Sly delivers one of cinemas most endearing characters. There’s probably a lot of similarity between Rocky and Sly himself and as such he slips beautifully into the character. Rocky isn’t bright, but he’s likeable, and Stallone gets the viewer right in the Stallions corner. Sly puts his all into the role and deservedly picked up a best actor Oscar nomination for his performance. Equally good are Talia Shire as Adrian, and Burt Young as Pauly. As Mickey, Burgess Meredith steals the movie though, which given the amount of first rate acting takes some doing, but Burgess does it! Rocky is an enduring tale, relatable, and infinitely repeatable. Sly has proven himself a master at setting the pulse racing, getting the blood pumping, and the fists clenching. The pattern of training montage followed by fight has become the Rocky staple through five sequels, and the main man always has the odds stacked against him. Despite seeming a little trite in that regard, it never feels it, certainly not in the first, and best of the series.

Honourable Mentions...


Rocky II-IV, Rambo: First Blood Part II, Tango & Cash and Demolition Man. Of course The Expendables in time will be worthy of mention, and perhaps crack final place in the top five one day.

Agree? Disagree? We'd love to hear your comments on the list...

Tom Jolliffe

Essentials Archive

Sunday, June 6, 2010

Five Essential... Football Movies

With the 2010 FIFA World Cup about to kick off this week, Gary Collinson selects his Five Essential Football Movies…

It’s fair to say that films centred on football (sorry, no soccer here) haven’t exactly set the world alight, especially when you consider its place as the world’s most popular sport. In fact, out of the trickle of movies centred on the beautiful game the chance that it’s going to be mediocre at best is almost as assured as England exiting a major tournament on penalties. However, just like in ’66, there’s always the chance they can go one better and actually turn out pretty well…

When Saturday Comes poster5. When Saturday Comes (1996, dir. Maria Giese)

When Saturday Comes is the Rocky of football movies (albeit nowhere near as good), with Sean Bean starring as hard-drinking football nut Jimmy Muir, who gets by playing for his local pub team while grafting in a brewery. Scouted by well-known non-league Hallam FC, Jimmy gets a shot at the big-time and the chance to become a local hero when he is offered a trial at Sheffield United (Bean's own club), only to put his chance at risk by hitting the bottle the night before. At least George Best waited until he made it. Bean's performance is certainly a highlight here... just overlook the fact he should be pushing retirement.




Goal poster4. Goal! (2005, dir. Danny Cannon)

The first in a trilogy centred on fictional South American playmaker Santiago Muñez (Kuno Becker), Goal! sees the youngster make his way from poverty as an illegal alien in Los Angeles to the heights of the English Premier League when he is snapped up by a scout for Newcastle United. Featuring cameos from world stars such as Beckham, Zidane, Raúl and of course the legendary Alan Shearer, Goal! benefits from full FIFA cooperation and the use of actual match footage and real players helps add to the overall authenticity. Certainly one of the more enjoyable football movies out there, if somewhat over-the-top.




Escape to Victory poster3. Escape to Victory (1981, dir. John Huston)

Set in a German P.O.W. camp during WWII, Escape to Victory (or simply Victory to our American cousins) sees Michael Caine lead a team of prisoners in an exhibition match against the Germans as part of a Nazi propaganda stunt. Fortunately the Allies can rely on the likes of World Cup winners Bobby Moore, Pelé and Ossie Ardiles - in addition to renowned goalkeeper Sylvester Stallone - to give old Jerry a right good pasting and escape to victory (or, at the very least a draw). The film also features members of Ipswich's UEFA Cup-winning squad including John Wark and Russell Osman, along with the likes of Mike Summerbee, Kazimierz Deyna and Paul van Himst.



Shaolin Soccer poster2. Shaolin Soccer (2001, dir. Stephen Chow)

Stephen Chow brings his insanely frenetic style to the beautiful game in this unique Hong Kong comedy about a group of Shaolin monks who set out to promote their brand of kung fu by establishing a professional football team. Using their superhuman skills, Team Shaolin - led by captain Sing (Chow) - take the league by storm only to meet their match in the China Super Cup when they must face off against the chemically-enhanced Team Evil, managed by Sing's arch-nemesis and shamed former star Fung (Chow veteran Ng Man Tat). Chow's international breakthrough, Shaolin Soccer is hugely entertaining from start to finish with plenty of humour, top-notch special effects and crazy kung fu-inspired footballing action.



The Damned United poster1. The Damned United (2009, dir. Tom Hooper)

Adapted from David Peace's 2006 novel, The Damned United stars biopic regular Michael Sheen as the legendary Brian Clough - described by many as 'the best manager England never had' - in a fictionalised account of his troubled 44-day spell as manager of Leeds United in 1974. Sheen is superb as the straight-talking and belligerent Clough, whose obsession and rivalry with fellow manager Don Revie (Colm Meaney) threatens to destroy his growing reputation and friendship with longtime assistant Peter Taylor (Timothy Spall). Despite criticism towards its inaccuracies, The Damned United is a fantastic film that provides an authentic look at the football culture of the 1970s, and is my choice for the essential football movie.


Honourable Mentions...

A Shot at Glory (2000, dir. Michael Corrente)
Mean Machine (2001, dir. Barry Skolnick)
The Game of Their Lives (2002, dir. Daniel Gordon)
The Game of Their Lives (2005, dir. David Anspaugh)
Once in a Lifetime: The Extraordinary Story of the New York Cosmos (2006, dir. Paul Crowder, John Dower)

Air Bud shows the England team how it's done by notching a thunderbolt of a penalty in Air Bud: World Pup (2000):


The Los Angeles Times ask Why is there no great Hollywood soccer movie?

Agree? Disagree? We'd love to hear your comments on the list... and of course, your predictions for the World Cup.

Gary Collinson


Essentials Archive

Sunday, February 14, 2010

Five Essential... Video Nasties

Gary Collinson selects his Five Essential Video Nasties…

In the early 1980s the rise in popularity of the VHS cassette was met with concerns from some quarters (namely morality crusaders such as Mary Whitehouse, religious groups and media organisations looking to stir a moral panic) about the content of the unregulated home video market in the UK, particularly the low-budget horror genre.

The resulting furore led to the introduction of the 1984 Video Recordings Act - whereby the British Board of Film Classification became responsible for certification and censorship - along with a list of 39 films deemed ‘video nasties’ and prosecuted under the Obscene Publications Act. From that list, we present our Five Essential Video Nasties…

I Spit on Your Grave (1978, dir. Meir Zarchi)

Originally entitled Day of the Woman, rape-revenge flick I Spit on Your Grave was described by Roger Ebert as “a vile bag of garbage” and caused outrage the world over due to its misogynistic violence. Banned outright in a number of countries, the film received a censored release in the USA while it remained unavailable here in the UK until 2001, with over 7 minutes of cuts made to gain an 18 certificate. As is now the trend, a remake from director Steven R. Monroe is planned for release some time in 2010.





The Last House on the Left (1972, dir. Wes Craven)

The second rape-revenge thriller to make the list, horror master Wes Craven’s low-budget offering was refused a cinematic release in the UK in 1974 due to its violent content before making its debut on home video. The Last House on the Left was subsequently withdrawn when the Video Recordings Act came into effect and remained banned until 2002 when the BBFC passed the film with minor edits to some of the more extreme scenes. A complete and uncut version was eventually passed in 2008, while a Craven-produced remake was also released the following year.





Zombie Flesh Eaters (1979, dir. Lucio Fulci)

Lucio Fulci’s unofficial sequel to George A. Romero’s Dawn of the Dead, Zombie Flesh Eaters proved to be the Italian director’s career breakthrough as well as his starting reputation as the ‘Godfather of Gore’. The film received a theatrical run in Great Britain in 1980 with almost 2 minutes of cuts but an unedited home-video version fell foul of the censors and resulted in prosecution. A heavily cut version was released on home video in the mid-90s (and falsely marketed as uncut), with an ‘Extreme Version’ following in 1999 before the complete print was passed for DVD release in 2005.




Cannibal Holocaust (1979, dir. Ruggero Deodato)

One of the most controversial films of all time due to its graphic sexual violence, high levels of gore and the inclusion of six scenes of animal killings, Cannibal Holocaust caused an outrage from the get go. At one point director Ruggero Deodata was facing murder charges in his native Italy with the authorities believing the deaths in the film (including the famous impalement scene) to be genuine, and the film was banned in countless countries. It was withdrawn in Britain in 1983 and eventually received a release in 2001, albeit with close to six minutes of edits. Chances of a complete, unedited release = zero.




The Evil Dead (1981, dir. Sam Raimi)

Sam Raimi’s classic splatter-fest The Evil Dead - with its graphic violence, gore and tree-rape - received an X certificate in the United States while being denied a release in a number of European countries. One of the first pictures to be classified as a video nasty by the Director of Public Prosecutions, The Evil Dead was withdrawn from UK distribution and proved hugely popular as a bootleg, eventually acquiring cult status before it was finally re-released uncut in 2001. Two sequels followed while talk of a fourth entry and re-imagining have been doing the rounds for a number of years.




Honourable Mentions...

Blood Feast (1963, dir. Herschell Gordon Lewis)
Death Trap a.k.a. Eaten Alive (1976, dir. Tobe Hooper)
The Driller Killer (1979, dir. Abel Ferrara)
Inferno (1980, dir. Dario Argento)
The Living Dead at Manchester Morgue (1974, dir. Jorge Grau)

Related:

Cult Classics: The Evil Dead (1981)
Extreme Cinema: The Last House on the Left (1972)
Movies... For Free! The Driller Killer (1979)

Agree? Disagree? We'd love to hear your comments on the list...

Gary Collinson

Essentials Archive

Friday, December 4, 2009

Five Essential... Roger Corman Protégés

Gary Collinson selects his Five Essential Roger Corman Protégés…

Often described as the “King of the B-Movies” and with over 350 credits to his name, low-budget filmmaker and producing powerhouse Roger Corman has enjoyed one of the most prolific careers in Hollywood. Corman has earned a reputation for providing breaks to up-and-coming talent, many of whom have since went on to enjoy extraordinary levels of critical and commercial success. Graduates of this ‘Corman Film School’ include a number of Academy Award winners (with Corman having recently joining the prestigious club after receiving an honorary Oscar last month), such as the following Five Essential Roger Corman Protégés…

5. Jonathan Demme

Jonathan DemmeThe Silence of the Lambs director Jonathan Demme began working for Corman in 1971 as a writer / producer before helming three exploitation flicks – Caged Heat (1974), Crazy Mama (1975) and Fighting Mad (1976) for New World Pictures. After leaving Corman’s tutelage, Demme went on to direct a further eight films - including comedies Something Wild (1986) and Married to the Mob (1988) - before hitting gold in bringing Anthony Hopkins’ Hannibal Lecter to the screen with his 1991 Thomas Harris adaptation. Two years later he directed Tom Hanks to his first Academy Award in Philadelphia, while more recent releases include remakes The Truth About Charlie (2002) and The Manchurian Candidate (2004).



4.
Ron Howard

Ron HowardAfter gaining recognition as an actor in American Graffiti (1973) and the classic TV series Happy Days, Ron Howard moved into Corman territory in 1976 as the lead in Eat My Dust before making his directorial debut with chase comedy Grand Theft Auto. Grossing $15m on a $600k budget the film set him on his path towards the Hollywood elite, directing a number of popular 80s movies including Cocoon (1985), Willow (1988) and Parenthood (1989) before shifting towards more dramatic material in the early 90s. Receiving a Best Director Oscar for 2001’s A Beautiful Mind, Howard has also formed a solid partnership with Tom Hanks, teaming up for critically acclaimed hits Splash (1984), Apollo 13 (1995), The Da Vinci Code (2006) and Angels & Demons (2009).


3. James Cameron

James CameronSelf-proclaimed “King of the World” James Cameron started out working on models and effects for Corman’s studio before back-to-back success with sci-fi classics The Terminator (1984) and Aliens (1986) saw him established as a major filmmaking force. Cameron followed this up with two Arnie-headlined mega-hits T2: Judgement Day (1991) and True Lies (1994) before shattering global box-office records (and matching Ben Hur’s record eleven Academy Award wins) in 1997 with Titanic. Returning this month with the 3D spectacular Avatar, Cameron is also the subject of Trevor Hogg’s in-depth profile which you can read right here.




2. Francis Ford Coppola

Francis Ford CoppolaLegendary filmmaker Francis Ford Coppola made his feature debut as writer-director of the Corman-produced shocker Dementia 13 (available to watch in our Movies For Free! section), before embarking on an incredible run of success in the 1970s. After winning a Best Original Screenplay Oscar for Patton (1971), Coppola went on to gain fame, fortune and a host of awards with The Godfather (1972), The Conversation, The Godfather Part II (both 1974) and Apocalypse Now (1979). Later ventures include a pair of S.E. Hinton adaptations in 1983 (The Outsiders and Rumble Fish), along with The Godfather Part III in 1990 and Bram Stoker’s Dracula in 1992. His American Zoetrope studio also helped launch the career of George Lucas, with Coppola serving as producer on early efforts THX-1138 (1971) and American Graffiti (1973).

1. Martin Scorsese

artin ScorseseArguably the greatest living American director (although a certain Mr. Spielberg could have something to say about that), Martin Scorsese had directed one feature (1968’s Who’s That Knocking at My Door) before helming the Corman exploitation film Boxcar Bertha in 1972. Scorsese then went on to churn out a string of cinematic classics with actor Robert De Niro including Mean Streets (1973), Taxi Driver (1976), Raging Bull (1980), The King of Comedy (1983), Goodfellas (1990) and Casino (1995). In later years Scorsese has favoured Leonardo DiCaprio as a leading man with DiCaprio starring in his last three films - Gangs of New York (2002), The Aviator (2004) and The Departed (2006), along with the upcoming Shutter Island (2010). After years of being overlooked by the Academy, Scorsese finally received a long overdue Best Director Oscar for The Departed at the 79th Academy Awards in 2007.

Honourable Mentions…

Peter Bogdanovich
Joe Dante
Curtis Hanson
Nicholas Roeg
John Sayles

Watch Roger Corman movies for free:

The Fast and the Furious (1955)
Little Shop of Horrors (1960)
The Last Woman on Earth (1960)
The Intruder (1962)
Dementia 13 (1963)

Agree? Disagree? We'd love to hear your comments on the list...

Gary Collinson

Essentials Archive

Thursday, November 19, 2009

Five Essential... John Candy Films

Gary Collinson selects his Five Essential John Candy films…

Canadian funnyman John Candy was one of the biggest – both literally and figuratively – comic stars of the 1980s, working alongside a host of respected directors and acting talent. Honing his skills on The Second City Toronto comedy circuit, Candy gained widespread attention as a cast member on the sketch show Second City TV alongside the likes of Harold Ramis, Martin Short, Eugene Levy and Catherine O’Hara, before moving on to enjoy a successful film career. After battling weight problems for much of his life, Candy’s career was tragically cut short in 1994 when he suffered a fatal heart attack during the filming of Wagons East!. Here, we present five of his best offerings…

Cool Runnings5. Cool Runnings (1993, dir. Jon Turteltaub)

Candy stars as disgraced bobsled Olympian Irv Blitzer, stripped of two gold medals in the 1972 Winter Olympics due to cheating and given a chance at redemption sixteen years later as the coach of a newly formed Jamaican team. Loosely based on the actual story of the first Jamaican bobsled team, the film’s feel-good nature and warm humour allows it to overcome a fairly generic ‘underdog’ formula, while Candy is on form as Blitzer in one of his final roles (and certainly his last box office success, with studio Disney banking international receipts in excess of $150m).





Who's Harry Crumb4. Who’s Harry Crumb? (1989, dir. Paul Flaherty)

Inept private investigator Harry Crumb (Candy) is given the assignment to track down a wealthy millionaire’s kidnapped daughter by his boss Eliot Draisen (Jeffrey Jones), who also happens to be the mastermind behind the crime. Who’s Harry Crumb? provides a consistent flow of witty one-liners, humourous gags and physical comedy, with Candy (who also serves as executive-producer) hilarious as the hapless private eye. Saw’s Shawnee Smith makes an early appearance as Harry’s sidekick, while Candy reunites with director Paul Flaherty, a writer on SCTV.





Uncle Buck3. Uncle Buck (1989, dir. John Hughes)

The first John Hughes film to appear on this list, Uncle Buck sees Candy as loutish slacker Buck Russell, who ends up babysitting his brother’s kids when the parents are forced to leave town for a family emergency. Forming a memorable double act with an eight-year-old Macaulay Culkin (who gained international fame the following year through Home Alone, with Hughes producing and Candy making a minor appearance) the role of the slobbish but warm-hearted Buck is perfectly suited to Candy’s sarcastic comic talents. Perhaps Hughes' most underrated effort.





Spaceballs2. Spaceballs (1987, dir. Mel Brooks)

Although Candy is just one of an array of comic talents on display in Mel Brooks’ parody of Star Wars, the sheer hilarity and outright silliness of Spaceballs makes this cult classic a strong contender for first place on the list. Candy plays half-man, half-dog Barf - Chewbacca to Lone Starr’s (Bill Pullman) Han Solo, with the pair setting out to rescue Princess Vespa (Daphne Zuniga) from the clutches of Dark Helmet (Rick Moranis) and the Spaceballs. A real side-splitter, and the first of two films that would make 1987 thegreatest year of John Candy’s career…





Planes, Trains & Automobiles1. Planes, Trains & Automobiles (1987, dir. John Hughes)

Director John Hughes’ shift from teen comedy to more adult-orientated material resulted in quite simply one of the best comedies of the decade, Planes, Trains & Automobiles. Trying to make it home to his family in time for Thanksgiving, advertising executive Neal Page (Steve Martin) is forced to travel across the country with annoying ‘shower curtain guy’ Del Griffith (Candy), who leads him from one disastrous mishap to another. A true classic, Planes, Trains & Automobiles is the essential John Candy film, while the same could probably be of both Martin and Hughes.





Honourable Mentions…

Stripes (1981, dir. Ivan Reitman)
Brewster’s Millions (1985, dir. Walter Hill)
Armed and Dangerous (1986, dir. Mark L. Lester)
The Great Outdoors (1988, dir. Howard Deutch)
Only the Lonely (1991, dir. Chris Columbus)

One final note - naturally the list omits bit-parts and cameos such as Vacation (1983, dir. Harold Ramis) and Home Alone (1990, dir. Chris Columbus), along with Oliver Stone’s JFK (1991), in which Candy shines in a rare dramatic performance.

Agree? Disagree? We'd love to hear your comments on the list...

Gary Collinson

Essentials Archive

Friday, May 15, 2009

Five Essential... Japanese Horrors

Richard J. Moir selects his Five Essential Japanese Horrors...

5. Audition (1999, dir. Takashi Miike)

Audition is a Japanese horror film but you wouldn't think it from the opening hour. It plays as more of a romantic drama with hints of comedy (mainly coming through the actual audition scene) and leaves the audience wondering what direction the film is actually going in. The last half an hour is exciting though, with a gruesome scene to show why this was labeled horror in the first place. Although the effects were used to full effect, and believe me, they don't cut much out, the use of camera work was often distracting and amateurish. The lack of a dolly and stedicam made me feel queasy at times, butthis just adds to the effect of the film. The final scene is one to remember.



4. Ju-on (2000, dir. Takashi Shimizu)

You may have seen ghost stories before, but they never had ghosts like the ones in Ju-on. Crafted with exquisite care by director Takashi Shimizu, Ju-on is an unrelenting 90 minutes of terror that will leave you gasping.










3. Onibaba (1964, dir. Kaneto Shindô)

Creepy and disturbing to the very last detail, Onibaba is a classic in Japanese horror and it's easy to see why through the stunning cinematography, creepy settings and costumes and the high pitched and daunting sounds. Despite being a great horror film, it's extremely symbolic which sometimes gets in the way, and I often found this hard to relate too. But that wasn't ruining my viewing pleasure one bit and the final scene is pure horror.






2. Battle Royale (2000, dir. Kinji Fukasaku)

Not quite the J-Horror film that describes the other films on the list, but the brutal scenes that plague this movie make this 2nd in my list. Set in an alternate present, a group of students are put on an island to kill one another, to solve Japan's problems of an out-of-control youth system. Some scenes are iconic and the characters play their parts well, while the cinematography is stunning and the ending superb.







1. Ringu (1998, dir. Hideo Nakata)

Gloomy, eerie and unsettling, Ringu masters suspense through it's dark mise-en-scene, disturbing soundtrack and fantastic plot. Watch a cursed videotape, and you will die in seven days. Everyone knows the story. It sparked a few remakes (Hollywood being the obvious culprit) and it's easy to see why. Ringu is a fantastic horror film, which uses the "demon woman" as it's main scare. Throughout we see Reiko, a reporter, watches the supposed cursed videotape and finds herself caught in it's trap, seeing things that aren't there, and witnessing horrid flashes of where the curse began.




Honourable Mentions

Ju-on: The Grudge (2002, dir. Takashi Shimizu)
Ichi the Killer (2001, dir Takashi Miike)
Gojira (1954, Ishirō Honda)

Agree? Disagree? We'd love to hear your comments on the list...

Richard J. Moir

Essentials Archive